A new international traveling exhibition will explore major events and movements in American art through some 150 outstanding prints from the Colonial era to the present. Three Centuries of American Prints from the National Gallery of Art is the first major museum survey of American prints in more than 30 years.
Timed to coincide with the National Gallery of Art's 75th anniversary, the exhibition is drawn from the Gallery's renowned holdings of works on paper, and features more than 100 artists such as Paul Revere, James McNeill Whistler, Mary Cassatt, Winslow Homer, George Bellows, John Marin, Jackson Pollock, Louise Nevelson, Romare Bearden, Andy Warhol, Robert Rauschenberg, Chuck Close, Jenny Holzer, and Kara Walker.
Organized chronologically and thematically through nine galleries, Three Centuries of American Prints reveals the breadth and excellence of the Gallery's collection, while showcasing some of the standouts: exquisite, rare impressions of James McNeill Whistler's Nocturne (1879/1880), captivating prints by Mary Cassatt, a singularly stunning impression of John Marin's Woolworth Building, No. 1 (1913), and Robert Rauschenberg's pioneering Booster (1967).
Since its opening in 1941, the National Gallery of Art has assiduously collected American prints with the help of many generous donors. The Gallery's American print collection has grown from nearly 1,900 prints in 1950 to some 22,500 prints in 2015. The collection was transformed in recent years by the acquisitions, including the personal print archive of Jasper Johns, some 2,300 American prints from the Corcoran Gallery of Art, among other gifts to the Gallery.
On view in Washington, DC from April 3 through July 24, 2016, the exhibition will travel to the National Gallery in Prague from October 4, 2016 through January 5, 2017, followed by Antiguo Colegio de San Ildefonso in Mexico City from February 7 through April 30, 2017.
|A Midnight Race on the Mississippi | 1860|
Frances Flora Palmer
Color lithograph with hand-coloring
18 1/8 in. x 28 in.
|Woolworth Building, No.1 | 1913|
Etching with monotype inking on Japanese paper plate
11 7/8 in. x 9 15/16 in.
Source: National Gallery of Art, Washington